Cuban-born artist ERIC ALFARO has exhibited in Paris and Miami and is now appearing in Singapore’s very own REDSEA Gallery in Dempsey! His art caught my eye in a recent ad for the exhibition in our print magazine, but watching him in action on Instagram (@ericalfaroart) has really piqued my interest.
Tell us a bit about your background and how you discovered your love for art.
I’ve always liked to draw a lot, since childhood, trying to reproduce characters from my favourite cartoons and comics, and making caricatures too.
When I started art school at 15, it was a very special moment – that’s when I discovered my love for art and knew I wanted to dedicate myself to it for the rest of my life.
What’s had the biggest influence on your artistic development?
Van Gogh and Monet have always been strong influences in my work, also the artists from the 40s and 50s Abstract Expressionist movement in New York too. I really like music, cinema and television; they also serve as a source of inspiration for me.
What’s your creative process like from the initial concept to the finished piece?
My creative process often starts with a specific idea I develop through a series. I’ll occasionally make a sketch, but I usually dive right into painting, often using a reference photograph since a lot of my work is figurative. I blend these references with ideas in my mind. Sometimes I’ll spend years refining a series, but the actual creation tends to flow spontaneously.
Your work often explores imagery of flowers and Asian-centric themes. Why?
Flowers have always been a central motif in my work, appearing frequently in both landscapes and portraits. When I began my floral series, I was particularly drawn to the cherry blossom for its poetic qualities. As a symbol of spring, it embodies a fleeting yet profound sense of renewal, reminding us of the transient nature of life. Over time, my exploration expanded to include a variety of flowers and vase forms, experimenting with different colours, textures, decorations and materials to create a richer visual dialogue.
My interest in Asian themes began with Monet’s water lilies; I wasn’t initially unfamiliar with Asian art, but exploring it I became passionate about its culture and aesthetics. I’ve always admired Van Gogh, and he was influenced by Asian art – by its spiritual simplicity and compelling poetic language. In Cuba, the influence of Asian descendants has enriched our culture, and my love for Asian video games and anime also inspires my work.
How do you hope viewers and collectors connect with your work?
I aim for my work to evoke sensations rather than convey specific messages. I always like that the viewers can connect with my artworks through their own experiences and thoughts. By creating more universal images, I hope different cultures can relate in their own ways. Ultimately, I want my art to act as an open door for personal interpretation. While most works are open-ended, a few do hold specific meanings for me.
What does a typical day in your studio look like?
It starts with my morning coffee, which I always enjoy before diving into work. I check in on my priorities with galleries and ongoing projects, as I prefer to tackle tasks promptly. Music is essential while I paint, and I sometimes chat with friends or family during sessions. I usually start painting in the afternoon and often work into the night.
When you’re not in your art studio, where can we find you?
At home with my family, or on the street running errands or work-related tasks. I like to walk a lot and be outside.
What has been the most difficult part of your creative journey so far?
Every stage in an artist’s career is unique, and I have experienced many, each with its share of highs and lows. During challenging periods, I make it a point to stay focused and maintain a positive outlook. In fact, I rarely dwell on the difficult moments, as my passion for what I do carries me through.
If I were to highlight one ongoing challenge, it would be transitioning between series of paintings. It often feels like starting from scratch – you never know if it will resonate or fall short. The process requires building a connection and coherence with my previous work, while simultaneously exploring new, uncharted territory. There’s always uncertainty about how it will be received, which adds to the challenge.
What is your life philosophy?
To find balance and fulfilment by enjoying the present moment and seeking happiness. Being at peace with myself and those around me is essential, as is spending time with family and friends. I believe in nurturing those relationships while continuing to grow both personally and professionally. I focus on doing what I love and ensuring that my work brings me joy.
Are there any upcoming projects or new directions you’re excited about exploring?
I’m really immersed in the series I’m currently working on, though I almost never know when I’m going to take a new direction in my work. Sometimes inspiration strikes unexpectedly, while other times, subtle changes evolve the series over time without me realising it. I’m also keen to explore sculpture, which has been on my mind for a while. This year, there are exhibitions at art fairs and I’m also planning projects for next year that I’m actively working on.
REDSEA Gallery is at Block 9 Dempsey Road, #01-10 Dempsey Hill.
6732 6711 | info@redseagallery.com | redseagallery.com
This article on Cuban artist Eric Alfaro whose work is now showing at REDSEA gallery, Dempsey, first appeared in the October 2024 edition of Expat Living. You can purchase the latest issue or subscribe so you never miss a copy!
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